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Blacksmithing
on the Prairie
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It's
been 12 years since Pat and Nina Chesebro called the Early American
Museum and asked if we might be interested in looking at their
family blacksmith shop, a shop begun by their grandfather (see
photo, right) in
Saunemin, Illinois in 1896, and run by their father and uncle
(Ralph and Elmer Chesebro) from 1909-1920. It's been 12 years
since the museum walked into the block and frame shop that Ralph
Chesebro had walked out of for the last time in the 1930's. In
those 12 years the work of history has been ongoing. Oral history
interviews have been recorded and transcribed; the shop itself
has been tirelessly drawn to scale, photographed and videoed;
the contents of the shop have been moved; each of 5500 objects
have been marked and accessioned into the museum's collections;
research on the Chesebro's, Saunemin and area blacksmiths has
been conducted; and --over the past winter--the shop itself was
partially reconstructed within the walls of the Early American
Museum.

Bryan
Stevens and Andy Little of the Champaign County Forest Preserve
District's Construction division, painstakingly rebuilt the appearance
of the shop, down to the cinder block facade, and the brick forge.
In preparation for the exhibit Blacksmithing on the Prairie,
which opened September 22, 2001, furnishings like horseshoe racks,
from the Chesebro Shop were incorporated right into the walls
of the museum to give the place the look and feel of the original
shop. A Little Giant trip-hammer was found and hauled in on a
truck, carefully loaded in place by a fork-life. (The Chesebros
had sold their trip-hammer earlier). Hammers, tongs, hardies,
swages, hoof-clippers, and all manner of ironworking tools have
been carried into the re-created shop by the dozen and placed
just where they once were used or stored.

Coal
sits atop the exhibit forge, the new museum floor is littered
with scrap iron and charred from the imagined work that Ralph
and Elmer might have done. Bins have been filled with the bolts
they once held, shelves filled with supplies, and a cupboard from
the shop will serve as a hands-on tool, where visitors can examine
the contents of shop drawers whether they be filled with horseshoe
caulks or drill bits. Other hands-on opportunities within the
shop area include simulated horseshoeing and anvil pounding as
well as a demonstration of the work of a bellows.

Beyond
the walls of the shop lie much more. The fruits of our research
and our continued relationship with Nina Chesebro have produced
a complete picture of the the life of a blacksmith at the beginning
of the 20th century. A small family vignette includes the three
Chesebro sisters, as children, as well as their mother Katharine
Kyser Chesebro. The toys which Ralph made for the Chesebro girls
in his spare time include wagons, wooden race-cars and toss
games and remain as a testament to his ingenuity and love for
his family. Katharine Kyser Chesebro nurtured in her daughters
a love of learning and a marvelous example. Katharine Kyser
was a schoolteacher in El Paso when she met Ralph and examples
of her student's work are among the numerous items on display
outside the shop. As was customary Katharine retired from school
teaching when she married, but she kept the shop account books,
and she was elected to the Saunemin School Board at one time.
Following in Katharine's footsteps Nina and Pat Chesebro both
became schoolteachers and taught in the Bloomington-Normal school
system for years.
Lest
you think the work of a blacksmith was all horseshoes and iron
tools, the museum will present parts from the Chesebro's wagon
and buggy repair shop. The iron tires of a wagon had to be replaced
with as much, if not more regularly than our own car tires, so
blacksmiths often were employed in wagon repair. When Ralph Chesebro
walked out of his shop for the last time he left 24 felloes (the
wooden rim of a wagon wheel), and 17 singletrees (part of a buggy)
ready for use. Wagon repair required all sorts of woodworking
tools, and the table saw which the Chesebros used, as well as
their planes, and tenoning tools are all in place.
To place
the Chesebros in the context of East Central Illinois we offer
a range of the kinds of tools, particularly farm tools, which
the Chesebros might have fixed, sharpened, and retooled for
their rural and town community. The Chesebro's account books
record the seasonal rhythm of their work, as well as that of
their payment. Ralph not only sharpened the plowshares in the
spring he also repaired ice poles in the winter. In the fall
he might receive apples or beef for payment. The reliance upon
repair of tools and the interdependence of the local economy
is evident in every page of the account books; it will be magnified
in every aspect of the exhibit.
In
one of our numerous conversations with Nina, the last remaining
Chesebro, she said of the shop closing in 1920, "Ralph could
make everything but money." Little did Ralph know that he,
through his daughters' generosity, would make history.
Blacksmithing
on the Prairie
is made possible with a grant from the Public Museums Operating
Grant of the State of Illinois with the assistance of the Illinois
Department of Natural Resources and the Illinois State Museum.
Funds were also provided by the Chesebro family.
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